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selves are produced through the encounter with an environment that is overly familiar yet elusive
Karen Archey expands the definition of Institutional Critique to develop a broader understanding of contemporary art’s sociopolitical entanglements
profit and individual needs
a quiet backdrop for her reckoning with herself
Proud South Craft - Lidewij Edelkoort digital culture selves are produced through theThe revival of craft today reflects societys desire for authenticity and tactility, complementing our modern mode of living. Yet craft also embodies our urgent need to affirm the power of humans over machines and artificial intelligence. Hence, the idea of an activist counterculture emerges, where the handcrafted can become a revolutionary movement. Curated by Lidewij Edelkoort and designed by Mariola Lopez Mario, Proud South Craft is the second
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