Blind Folly or How Tacita Dean Draws signage Carmen Mörsch beschreibt wie kunstvermittelnde

Carmen Mörsch beschreibt wie kunstvermittelnde Körper mehr vermitteln als nur Kunst und lädt zum Aufsetzen einer diskriminierungskritischen Brille ein

Winter in Sokcho is a novel about shared identities and divided selves

Just like the fonts

designers created objects

Blind Folly or How Tacita Dean Draws signage Carmen Mörsch beschreibt wie kunstvermittelndeIn this book, curator Michelle White considers the unique and timely implications of how the artist Tacita Dean draws. Covering over three decades of work, from sweeping chalk landscapes to fleeting celestial phenomena on film, White proposes that the artist approaches drawing as an indeterminate journey of fate and folly, chance and medium. She argues that Deans strategy of adopting blindness to make an image is an urgent response to our culturally,