Woyzeck, by Georges Büchner Theatre History subtext and emotional levels in

subtext and emotional levels in performance

used understanding of status to create physically interesting work

Focus is given to status through the Prospero/Caliban relationship and humour with the drunken seamen and Caliban

It is a standard-level scheme – for higher-level students you can work complementary areas of study concurrently (I explore masks and chorus with my higher-level students with a research investigation into a theatrical tradition using masks)

Woyzeck, by Georges Büchner Theatre History subtext and emotional levels inAfter eight years of the old specification, working with either The Beggars Opera (difficult language and brief songs) or The Trojan Women (all poetry and no action), the Unit 4 of the new specification is a refreshing change. It allows us to choose from three exciting texts to explore from a directorial view point (section A and B) and through review and research (Section C), two out of the three from different eras. These are 525 BC65AD