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drawn when the university was still inventing its skyline
The Ghetto — a Lower East Side tableau thick with pushcarts
51619 captures the working geometry of the Victorian barber's trade — the angles
325316 reads like the working memory of a Victorian brewery — the apparatus that moved
42nd Street Frame Style:Bourbon Frame drawn when the university was42nd Street the great cross axis of Manhattan rendered in all its theatrical density, where Beaux Arts terminals, vaudeville marquees, and the rising shadow of the Chrysler spire conspire in a single bustling thoroughfare. A scene that hums with the particular electricity of a midtown crowd convinced it stands at the center of the modern world. About the Source Bella Frye sources NYC artifacts from American photographic archives, postcard collections,
