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Alison Saar
der Frage nachgegangen
Cabin fever sketches a beautiful narrative about the history of cabin culture and the passions underlying its evolution in North America
her pain at being misunderstood and finally rejected
Rehearsing Hospitalities interior design Alison SaarUpon what kind of power structures of knowledge and knowing are contemporary art and artistic institutions dependent? Do practitioners in the art field reproduce oppressive Western epistemic paradigms through artistic practices and institutional structures, moreand if so, is there space for emancipatory ways of knowing? What are the ways that intersectional subjectivities open up new epistemic processes within the artistic field? These are among the
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