a gilt gilded crucifix splashes into water textiles The artist is particularly drawn

The artist is particularly drawn to the spherical form and has created this work "in camera" without any post-production

This transformation produces images that recall anatomical studies or radiographic views

the sand-casting process is the same as that developed for the ‘Makers Place’ single-use plastic & aluminium recycling studio

Framed in a round 'Vortex' ceramic finished in matt black shellac

a gilt gilded crucifix splashes into water textiles The artist is particularly drawnThe Splash Crucifixion series reinterprets a historic religious motif through the physical dynamics of water and impact. A collection of aged crucifixes is introduced to the water's surface, where the moment of contact disrupts surface tension and generates a brief, violent articulation of form. Each image records the instant of collision: a transient event in which solid object, liquid resistance, and gravity converge. Water erupts, fragments, and