how a photograph can look like a traditional vanitas painting pheasant figurative Produced entirely in-camera

Produced entirely in-camera

and control are fundamentally altered

WATER AND THE CONDITIONS OF FORM

A collection of aged crucifixes is introduced to the water's surface

how a photograph can look like a traditional vanitas painting pheasant figurative Produced entirely in-cameraThe Vanitas series revisits the still life tradition through an underwater photographic process, extending a lineage that emerged most prominently in seventeenth century Dutch painting. Working entirely in water, these compositions draw on historical motifs associated with mortality, transience, and the passage of time. Floral specimens, organic matter, and carefully selected objects are staged within a submerged environment where light, reflection,