two flower heads in water tokyo taxi Shibuya District

Shibuya District

museum u/v varnish to protect the print

The visible surface texture and layered structure form part of the final aesthetic language of the work

asserting that restraint and simplicity can demand greater risk than overt provocation

two flower heads in water tokyo taxi Shibuya DistrictThe Vanitas series revisits the still life tradition through an underwater photographic process, extending a lineage that emerged most prominently in seventeenth century Dutch painting. Working entirely in water, these compositions draw on historical motifs associated with mortality, transience, and the passage of time. Floral specimens, organic matter, and carefully selected objects are staged within a submerged environment where light, reflection,