Negotiating Ungers 2: The Oberhausen Institute and the Materiality of the Social Klas Ernflo Rothenberg’s hyper-observant photographs take the

Rothenberg’s hyper-observant photographs take the archetype somewhere unmistakably new

Edmonds is included in the 2019 Whitney Biennial

Author Steve Seid (Berkeley Art Museum and Pacific Film Archive) probes the little-known critical backstory of this bold performance (and resulting video work) and its irreverent effort to mount a subversive critique of media hegemony while reimagining the core meaning of performance itself

Everybody Knows: Inside His Archive immerses readers in the many facets of Cohen’s creative life

Negotiating Ungers 2: The Oberhausen Institute and the Materiality of the Social Klas Ernflo Rothenberg’s hyper-observant photographs take theThe Oberhausen Institut zur Erlangung der Hochschulreife realised by Oswald Mathias Ungers between 1953 and 1959 is a project that leads to the centre of the architectural debate of the 1950s in Germany. His design for a school building followed emancipatory ideas; the spatial arrangement and the material aesthetics were conceived in close dialogue with the desired social processes and structures. This publication centres around the building, its in