HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 85, 1834 sculture perhaps a landing or a

perhaps a landing or a point to observe the moon

This movement aimed to renew the tradition of ukiyo-e prints by combining classic techniques with modern sensibilities and Western influences

Along with Nikkō (in plate no

this resulted in strange and unexpected associations

HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 85, 1834 sculture perhaps a landing or aA splendid proof with good contrasts, attributable to the Eirakuya Tshir impression (mid 19th century) from the original woodblocks of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New