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after the death of master Hiroshige I in 1858
turning pink when the wind blows from the south and the sky is clear
At least thirteen distinct faces are recognizable
” The refined tones of turquoise and intense pink in the woodblock prints of the collection indeed enchant with their immediate freshness and demonstrate how Hokusai
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 64, 1836-1847 sculture after the death of masterStunning proof with good contrasts, referable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Reasoned Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New York:
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